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This ten-week course will explore at least five poets (two weeks per-poet) from the Bloodaxe Books anthology Identity Parade: New British & Irish Poets. Over the course of these sessions we will consider how the subject matter, style and cultural positioning of these poets from a range of diverse backgrounds contributes to a sense of a contemporary poetic identity in the individual sense, but also as far as we might be able to gauge more generally the ‘state of affairs’ of recently written poetry in the English language. We will examine the background of each poet we read along with reference to quality critical appraisals of each one. The sessions will combine close-reading and audio-visual materials with lively, inclusive and hopefully invigorating discussion. Whether you are just coming into poetry or have been reading and/or writing it for some time you will be welcome along to these sessions.

In these lectures Stephen Wilkinson will introduce students to the history of the detective genre and discuss its relationship to the development of capitalism, urbanisation and consumerist commodity culture. Students will be encouraged to read detective fiction as a prism through which societies, their anxieties and underlying psycho-political natures can be understood. Using the examples from the UK, US and Cuba students will gain an insight into the ways in which popular literature gives shape and form to our lives.

Would you like to further develop your ability to read and enjoy Latin literature? You will use the Latin you have already learnt to translate, discuss and analyse original Latin literature, both verse and prose. In this intermediate level group you will develop more independence in translation through a mixture of immersive learning through reading Latin and analytical work in consolidating and extending your understanding of the Latin language. Lively discussion and exercises as part of a supportive group in the online sessions will be backed up by plentiful opportunities to work independently between sessions with a range of quizzes and assignments.

One of the most fascinating aspects of the history of ideas is learning how ideas have a life of their own, influencing society and culture through successive generations in different ways. In this 10-week course we’ll focus on an different important and influential question each week. We cover philosophy, literature, science and history. We’ll read and discuss selected extracts which will be circulated beforehand. The course covers a sweep of over 2000 years, from the ancient Greeks to modern times.

During Victorian times Nottingham was transformed from an elegant market town into a major industrial City. Industries like hosiery and Lace needed grand warehouses and offices, streets filled up the central parishes and countless houses soon spread beyond the traditional town boundary. This course will explore this evolution from town to City, discover why and how the urban landscape began to change, consider contrasting communities, including Narrow Marsh and the Park Estate and will pause to highlight characters like the ‘firebrand orator’ Feargus O’Connor who could be assured to rouse the crowds over justice and the right to vote.

This ten-week course will present and explore classical mythology and other traditions of myth by exploring their magical, more transformative aspects. Over the course of these sessions we will consider how the subject matter, style and context of texts and writers from a range of diverse backgrounds contain and harness these ideas in ways that continue to powerfully impact on us in the modern world. We will examine the historical and literary specifics of each text and writer individually and as part of a collective tradition, along with reference to quality critical resources on the role, meaning and purpose of myth more widely. The sessions will combine close reading and audio-visual materials with lively, inclusive and hopefully invigorating discussion. Whether you are just coming into the world of classical and other mythologies or have been interested in these worlds for some time you will be welcome along to these sessions.

Would you like to take your Latin beyond GCSE level and develop your ability to read and enjoy Latin literature? You will use the Latin you have already learnt to translate, discuss and analyse original Latin literature, both verse and prose. Through online activities such as quizzes and assignments and group work in the online sessions, you will discover the enduring fascination and importance of some of the greatest literature ever written whilst consolidating and extending your knowledge and understanding of Latin grammar.

During this course, we will begin our discussion with a Russian classic, Doctor Zhivago by Boris Pasternak. This 1957 novel was first published in Italy. It was not published in Russia until 1988. We will be thinking about the way Boris Paternak presents the political and societal events of his lifetime. Do these scenes and ideas resonate in only a historical sense? Later on in the course we willmove on to Zennor in Darkness, Helen Dunmore’s 1996 Orange Prize winning novel to think about her portrayal of World War one Cornwall and DH Lawrence, as we continue our discussion about the way fiction translates the past.

For the last century, crime fiction has been the most popular and lucrative of literary subgenres. But this commercial success belies a formal inventiveness and experiment, a constant drive to ‘make it new’, which has long been central to the genre. In this course we will read six crime novels (and three short stories) which chart the development of crime fiction. As well as considering each of these novels in isolation from week to week, we will also use the seven week course to ask ourselves: how has crime fiction changed through the years, and how has it remained the same? No previous knowledge of crime fiction is necessary – everybody is most welcome!

Human beings have told each other stories about ghosts since the ancient times, but the ghost story as we know it was created by the writer and scholar M. R. James (1862-1936). At Christmas, James would read his stories aloud to friends and colleagues at the University of Cambridge. The BBC began adapting James’s stories in 1971 as part of their ’Ghost Story for Christmas’ series. In this course we will look at seven of James’s most famous and enjoyed stories, a number of which were adapted by the BBC. We will consider each story on its own, looking at James’s use of suspense and humour. How does James write a ghost story? Are they scary? And, most of all, what are we scared of? No previous knowledge of ghost stories is necessary – everybody is most welcome!